84

Thanks to ESGREEN for this sample!

I’m still pretty new to pu’er, so the first thing I did was go to ESGREEN’s website for any brewing instructions. When I saw “10-15g in a gaiwan” I thought I was misreading something. So I weighed the sample I received and found it to be 7g. I shrugged and poured the contents into my 100ml gaiwan. I went with the rest of the guidelines on the website and did two washes of three seconds each. The liquor was DARK. I began thinking 7g was too much, but went on with the first steep at four seconds. I bid my time and sniffed the wet leaves first. They were extremely pungent, smelling of old, worn-out leather, dusty books, dirt, and hints of overripe plums and a touch of florals.

I turned back to my foreboding cup of deep, dark, brown-crimson liquor, and sniffed it. Earthy and musky. I took a sip…and sighed in relief. I guess I was expecting something like turpentine since it seemed like there were way too many leaves in the gaiwan. Turns out it was just the right amount. The resulting brew wasn’t potent at all, and it never did become unpalatable if steeped too long in the later steeps. A slightly familiar “sheng” flavor introduced itself. It was earthy and musty. Meh.

But then….whoa… This tiny bit of astringency I first detected hiding somewhere in the tea exploded, making my mouth and throat tingle all over like ants were marching back and forth across my palate. An excellent sensation of huigan. The liquor was silky, smooth, and had this interesting salty/slippery feeling to it. The tea becomes more complex over time, increasing in sweetness, introducing flavors of fruits and florals, and becoming much like a shui xian into the fifth steep. The mouthfeel becomes even more complex, though. All kinds of tingling, sparkling, smooth, salty, and coarse textures assaulted my tongue and throat, appearing and disappearing with reckless abandon. I took this tea into the twenties for steeps, finally rounding out with flavors of peppercorn, camphor, earth and wood, tiny hints of chocolate, and florals and fruit. Towards the end of its life, it left a beefier aftertaste, and the huigan was slower and subtler.

The leaves were quite massive. By the end of my steeping session, the lid of my gaiwan was resting on the leaves, and couldn’t even close completely. There was also a ton of huge loose stems and quite a large ball of broken pieces that had formed at the bottom, resembling mulch. The leaves that were whole, however, had held up nicely through aging and were very strong and thick.

Other things I noticed: around steep five, the liquor became kind of murky, and was actually gritty. At one point I ground my teeth and heard a crunch. Also, through steep four to around six or seven, tea oils were clearly visible resting on the surface of the liquor.

Preparation
Boiling
tunes&tea

Great review, sorry to hear about the ‘crunch’ though.

Cody

Thanks! And yeah, it was a bit of a surprise! But nothing really major. Makes me kind of wonder about the cleanliness of manufacture, though. I’ve never experienced dirt or grit or anything similar in other teas I’ve had.

K S

I am still working on my review of this one. I am not sure what I think of it yet. Thanks for a great review.

Cody

K S, it took a while for me to figure out how I felt about it as well. It’s definitely an intriguing one…I’ll be interested to see what your final opinions are!

Login or sign up to leave a comment.

People who liked this

Comments

tunes&tea

Great review, sorry to hear about the ‘crunch’ though.

Cody

Thanks! And yeah, it was a bit of a surprise! But nothing really major. Makes me kind of wonder about the cleanliness of manufacture, though. I’ve never experienced dirt or grit or anything similar in other teas I’ve had.

K S

I am still working on my review of this one. I am not sure what I think of it yet. Thanks for a great review.

Cody

K S, it took a while for me to figure out how I felt about it as well. It’s definitely an intriguing one…I’ll be interested to see what your final opinions are!

Login or sign up to leave a comment.

Profile

Bio

I’m fanatic about all things tea-related. Lately, I’ve been fascinated with Wuyi yancha, aged Taiwanese oolongs, and sheng pu’ercha. Nearly all of my sessions as of late are performed gong fu, with pu’er tastings comprising probably eighty percent of them. My collection of pu’ercha is small, but growing steadily. Much of the specimens I drink daily are various samples, although I dig into a cake every so often.

I love trying new teas and I am always learning all I can about the world of tea. Hence, I spend a majority of the time I devote to tea either drinking, writing notes in my journal, or reading. But mostly drinking, as I think it should be. Since I have handwritten logs of everything I drink, I cannot usually find the extra time to log my notes here, and unfortunately my online log is underrepresented.

When drinking, I look for a tea that presents a unique experience, something that involves every sense and provides intrigue in every aspect throughout steeps. I search for teas with balanced complexity and something that makes me keep reaching for my cup. I yearn to find all the positives a tea possesses and every subtle nuance hiding among the leaves. I try to be detailed in my notes and deliver a more comprehensive view of the tea, paying attention to things other than simply flavors and qualitative aspects of aroma, such as the form of the liquor and its development in the mouth. Things like this are much easier to compare between teas, as I find them to be more consistent between sessions, and also make distinctions between a good and mediocre tea easier to make.

Teaware
Adagio UtiliTEA electric kettle.
For gong fu, a 100 mL porcelain gaiwan and a 100mL Yixing di cao qing xi shi pot dedicated to mostly young sheng pu’er.
I drink all green teas in small (maybe 450mL) glass tumblers in the traditional style, with off-boiling water.

Location

Fort Myers, Florida

Following These People

Moderator Tools

Mark as Spammer